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CATALOG #2924

Sing Us a Song of Bonnie Scotland

Recording courtesy of UCSB Cylinder Audio Archive

Transcript

♪ Far away on distant prairie lands where the night time shadows grew, sat a rough and merry crowd of men singing the songs they knew. Till the fiddler stopped his merry tune, and turning round said he, to a highland laddie standing by, just a whoppery old dandy. Sing us a song of fun in Scotland, any old song will do.

Round the old campfire, a rough and ready choir will join in the chorus too. Then you'll tack the high road and I'll tack the low, it's a song that we all know. We'll remind us of fun in Scotland, where the heather and the bluebells grow.

Now won't you sing a lullaby for the boy, said the fiddler, and I'll play. Give us bonnie Mary of our dial, our dear old Robin's race. But the lad was dreaming all the while of his dear native cure.

And the bonnie lassie he loved well, till this one he heard once more. Sing us a song of fun in Scotland, any old song will do. Round the old campfire, a rough and ready choir will join in the chorus too.

Then you'll tack the high road and I'll tack the low, it's a song that we all know. We'll remind us of fun in Scotland, where the heather and the bluebells grow. Sing us a song of fun in Scotland, any old song will do.

Round the old campfire, a rough and ready choir will join in the chorus too. Then you'll tack the high road and I'll tack the low, it's a song that we all know. We'll remind us of fun in Scotland, where the heather and the bluebells grow.

Transcribed by AI from the recording above. These are noisy hundred-year-old cylinders, so expect misheard words and the occasional invented line — trust your ears over the text.

reprint label, name partly incorrect
Format
Blue Amberol
Release year
1916
Duration
3:09

Audio public domain, courtesy of the UCSB Cylinder Audio Archive. Transcript CC BY 4.0. Free to reuse, including commercially, with credit.

Storage location
3

About the artist

Glen Ellison recorded 1915–1928

A Canadian-Scot baritone who made some seventy recordings for Victor and Edison, and who exists on record largely because of Harry Lauder. Lauder was tied exclusively to Victor and HMV for discs, so Edison engaged Ellison to cover the Scottish repertoire — and a good many of his sides imitate Lauder closely. For a performer who recorded so much, remarkably little about him is known.

Written from UCSB Cylinder Audio Archive. Corrections welcome.